Stone & Symbols—Canyon de Chelly

canyon_de_chelly_walls_symbolsThe canyon walls are sliced from De Chelly sandstone. Formed during the late Permian Period, about 200 million years ago, the stone still reflects the ancient sand dunes that created them.

The walls also are a canvas for petroglyphs, images and symbols chipped into the stone. Petroglyphs are difficult to date. Both the Anasazi and Dineh (Navajo) practiced this art. These images can commemorate an event, mark a trail, or hold deep spiritual or religious significance in rites or initiations. This section of the canyon wall near Antelope House Ruin has petroglyphs scattered over its surface. Click on the image for a larger view.

Antelope House Ruin—Canyon de Chelly

canyon_de_chelly_antelope_ruinBefore the Dineh, or Navajo, arrived in Canyon de Chelly, the area was home to the Anasazi, a name given to them by the Dineh meaning “ancestors of the enemy.” The Anasazi settled the area sometime in the first century.

Antelope House Ruin is from the Great Pueblo Period or Pueblo III period, beginning around the 1100s when large settlements were being built. The two-story tower suggests these places were fortifications—some built high up on the canyon walls. The round wall at the left of the tower is the remains of a kiva that played a ceremonial or religious role in the community. Even with these large constructions, it seems that most of the population still lived in small dwellings outside these structures.

It is unclear whether the swastika on the canyon wall is from the Anasazi or Dineh. The Hopi, a descendant of the Anasazi, use this symbol as a representation of their migration story. For the Dineh, it is used in healing rituals.

By the beginning of the 1300s, the Anasazi had gone from Canyon de Chelly. Studies of tree rings shows there was a sever drought from 1276–1299. There is some evidence that over population and stress placed on the environment may have contributed to their decline as well. The modern Pueblo tribes of the Hopi, Zuni, Acoma, and Leguna are believed to be the descendants of the Anasazi.

Spider Rock, Speaking Rock—Canyon de Chelly

canyon_de_chelly_pano_2aSpider Rock in Canyon de Chelly National Monument is one of the most recognized sites in the American Southwest. This is the spiritual and geographic center of the Dineh, also known by their common name, Navajo.

The tower in the center of the image is Spider Rock. This is the home of Spider Woman. She helped rid the world of monsters and gave the Dineh the gift of weaving; an art form at which these people excel.

Speaking Rock or Talking Rock is at the tip of the butte on the left on the image. The Dineh have a children’s story where it is said that Speaking Rock will tell Spider Woman which children have been naughty. Spider Woman will take these children to her rock and eat them. The paler colored rock at the top of her tower is thought to be the bleached bones of these unfortunate kids.

Canyons are cut from plateaus. We are really not looking at tall features, but deep ones. The canyon floor is about 1,000ft/300m below the rim at this point. If you look at the horizon near the center of the panorama, you can see a mountain called Black Rock. That is a volcanic plug; the core of a volcano which is left after the sides have been eroded away.

Click on the image for a larger view.

Kanda, the Book District of Tokyo

life_in_tokyo_kanda_bookshopsWhen Tokyo was being built in the 17th century—it was called Edo then—the city was planned into districts and quarters based of crafts or markets. Starting with the Confucian academy in the late 1600s, Kanda became a center of learning and publishing. These divisions blended and dissolved with the growth of the city. Today, the streets of Kanda are still punctuated by small used bookstores.

As someone who grew up reading, walking into a bookstore in Japan was really humbling. You figure there would be enough information to at least find major categories of books, like photographic books. It is not that easy. If you really want to know how debilitating illiteracy is, visit a Japanese bookstore.

Mõja-okuri: The End of New Years

tokyo_moja_okuriMoja-okuri is a rite that signals the end of the New Year celebrations in Japan. This ritual takes place on January 18th at Senso-ji, also known as Asakusa Kannon Temple in Tokyo.

After dark, the lights are turned off in the temple grounds. It is pitch black. Two priest dressed as demons and carrying flaming torches run out of the main hall and through the precincts. They leave the temple grounds and go to a nearby site where the torches are extinguished in a small pit. The whole event is over in five minutes.

The priests represent evil spirits—one red, one blue. If the sparks from the torches fall on you, it is believed you will have good health throughout the year. People collect the ashes that fall from the torches as good luck charms.

The Legend of Binzuru

japan_nara_binzuruSitting outside many temples in Japan is the well-worn figure of Binzuru. He is one of the most charming characters in Buddhism. His power to heal was matched by his love of drink.

One day, the Buddha asked Binzuru to visit a wealthy man whose family was plagued by evil spirits with the simple instructions to exorcise the spirits and to leave without falling into temptation. Binzuru banished the demons in the house. The wealthy man, being grateful, wanted to celebrate. After repeated offers of drink, Binzuru capitulated to have one drink as not to be rude to his host. It was not long before he was drunk and the spirits returned.

The Buddha, hearing of this, banished Binzuru from his company. Binzuru, filled with regret, followed the Buddha around the country and sat outside the Buddha’s tent to hear his sermons. On his deathbed, the Buddha, knowing of his loyalty, called for Binzuru and forgave him. He commanded Binzuru to remain in the world as a healer. Binzuru sits outside the temple so people come to him to ease their suffering—it is thought if you rub the part of the statue that corresponds to the part of the body that is ailing, it will be cured.

This particular statue of Binzuru is outside Todai-ji in Nara. During New Years, mandarin oranges are left as offerings. Click on the image to see a larger view.